While I was working on the edit of CROPS I made a version where all the
circles were cut out and placed on a black background.
This was an attempt in getting the viewer more focussed on the circle, instead of being disrupted by the corner left-overs in the square frame.
A short while ago, Michel Banabila asked me for some visuals for his upcoming show in Gorlice (Poland) and I gave him a selection of these black background circles. One by one, they are going to be beamed behind him while he is playing his set.
It is good to see them again: the endless variation between harvesting, ploughing and seeding becomes even more clear on this black background.